A compact synthesis of Sony‘s Cinema Line innovations, α-series still-image rendering quality, and advancements in AI-based recognition technology, the a6700 Mirrorless Camera puts powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K resolution, making it a formidable multi-tool for the multi-hyphenate creative.
26.0MP Exmor R CMOS Sensor and BIONZ XR Processor
The Sony a6700’s advanced imaging system is powered by the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor, a combination introduced in the FX30 Digital Cinema Camera that is capable of 10-bit UHD 4K imagery at up to 120 fps or a top continuous shooting rate of 11 fps with AF and AE and up to 59 compressed raw still images in bursts. The introduction of the back-illuminated structure to the camera’s sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-32000 that’s expandable to ISO50-102400 when shooting stills, the camera boasts low-light performance with minimal noise and more than 14 stops of dynamic range.
Cinematic Video in UHD 4K
Along with its powerful sensor and processor, the Sony a6700 brings a strong suite of professional video features from its Cinema Line series to everyday content creators and aspiring filmmakers.
Full pixel readout from the 6K sensor creates high-quality UHD 4K video, with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing.
UHD 4K recording is possible with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.
Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats for consistent performance and quality at bitrates up to 600 Mb/s.
Record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.
Slow & Quick (S&Q) mode allows shooters to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene.
S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
The S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 14 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.
Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.
User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera’s monitor, EVF, or HDMI output.
The camera supports instant time-lapse settings with framerate, recording, light, and interval customization.
AI-Powered Autofocus and Image Stabilization
The Sony a6700’s AI Processing Unit brings a host of enhanced capabilities to the camera’s autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera’s 759 phase detection points in stills mode and 495 points in video mode, covering 93% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. Other autofocus features include focus bracketing in up to 299 images with sequentially-shifted focus points, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.
Vlog-Friendly AI-Enhanced Framing
Additionally, the AI Processing Unit recognizes and tracks subjects when recording video, seamlessly auto-cropping to maintain the subject in a prominent position in the frame and lending ease to otherwise difficult camerawork. This tracking can be custom located within the frame and adjusted for speed and sensitivity, all at the touch of a finger.
Image Stabilization
The camera’s pixel-level 5-axis optical image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.
Advanced Rendering
For stills-shooters, the a6700 offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format, available here in 4:2:0 and 4:2:2 options. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode, achieving a 20% increase in reliability over the a6600 according to manufacturer testing, with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters. For optimal viewing of stills when tethered to select monitors and televisions, the a6700 now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.
Body Design and Connectivity
The introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won’t be all thumbs at the moment of peak action.
Use the camera’s USB output function with UVC/UAC control via a computer for streaming applications and broadcasts with 4K video at 15 or 30 fps or full HD at 30 or 60 fps.
Built-in 802.11a/b/g/n/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.
The camera can connect to the Creators’ Cloud central cloud platform using the Creators app for sharing and storing media, editing in the cloud, and collaboration tools. The phone can also be used as a camera remote and to monitor battery power and storage levels.
Integrated 3.5mm headphone and microphone ports afford greater control over audio during video recording. The Multi-Interface Shoe also functions as a digital audio interface.
The XGA Tru-Finder 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, 1.07x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.
The side-opening, vari-angle 3.0″ 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.
Accepts the high-capacity Z battery rechargeable lithium-ion battery, which provides approximately 570 stills/120 minutes of video recording per charge when using the LCD screen.
In addition to the battery, the a6700 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.
Robust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.
A new grip design enhances handling and stability for long shooting sessions and facilitates access to the main control buttons and dials.
Sony E PZ 16-50mm f/3.5-5.6 OSS Lens (Black)
Sleek and Retractable Standard Zoom
An ideal companion for your compact, APS-C mirrorless camera, the black E PZ 16-50mm f/3.5-5.6 OSS Lens from Sony offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use. The useful focal length range and portable form factor make this a go-to lens when traveling or for everyday general shooting needs.
Form Factor and Optical Design
A variable aperture of f/3.5-5.6 helps keep the lens’ overall size and weight to a minimum.
Due to a retractable design, this lens can be made to be extremely compact when not in use.
One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Four aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Power Zoom, Image Stabilization, and AF
Power Zoom mechanism enables making smooth zoom movements, suitable for video recording, via the on-lens switch or via camera-based controls on select camera bodies.
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur.
An internal focus design contributes to fast autofocus speeds and the minimum focus distance is just 9.8″, suiting working with close-up subjects.
Actual: 27 Megapixel
Effective: 26 Megapixel (6192 x 4128)
Image Sensor
23.3 x 15.5 mm (APS-C) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity Range
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 6400 in Auto Mode Video
100 to 32,000 in Manual Mode
100 to 6400 in Auto Mode
Continuous Shooting
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Internal Recording Modes
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s] XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI (Unspecified Signal) Output
Audio I/O
1x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1x 1/8″ / 3.5 mm TRS Stereo Microphone Input
2500 to 9900K Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Up to 11 fps at 26 MP for up to 59 Frames (Raw) / 1000 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/5/10-Second Delay
Still Image Capture
Image Sizes
3:2 Raw
26 MP (6192 x 4128) 4:3 Raw
23 MP (5504 x 4128) 16:9 Raw
22 MP (6192 x 3480) 1:1 Raw
17 MP (4128 x 4128) 3:2 JPEG
26 MP (6192 x 4128)
13 MP (4384 x 2920)
6.4 MP (3104 x 2064) 4:3 JPEG
23 MP (5504 x 4128)
11 MP (3888 x 2920)
5.7 MP (2752 x 2064) 16:9 JPEG
22 MP (6192 x 3480)
11 MP (4384 x 2464)
5.4 MP (3104 x 1744) 1:1 JPEG
17 MP (4128 x 4128)
8.5 MP (2912 x 2912)
4.3 MP (2064 x 2064)
Aspect Ratio
1:1, 3:2, 4:3, 16:9
Image File Format
HEIF, JPEG, Raw
Bit Depth
14-Bit
Video Capture
Internal Recording Modes
XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [50 to 280 Mb/s] XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/50/59.94/100/120 fps [30 to 200 Mb/s] XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [50 Mb/s] XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s] XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080) at 23.98/50/59.94 fps
Fast-/Slow-Motion Support
Yes
Gamma Curve
HDR-HLG, S Cinetone, Sony S-Log 3
Recording Limit
No
IP Streaming
No
Built-In Microphone
Stereo
Audio Recording
XAVC: 2-Channel 16-Bit 48 kHz LPCM Audio
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI (Unspecified Signal) Output
Audio I/O
1x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1x 1/8″ / 3.5 mm TRS Stereo Microphone Input
Impressively small despite having a large full-frame sensor, the Canon EOS RP offers flexible imaging capabilities along with a portable form factor. Featuring a high-resolution 26.2MP full-frame CMOS sensor along with a DIGIC 8 image processor, both stills and UHD 4K video can be recorded using a broad sensitivity range, from ISO 100-40000, to suit working in a variety of lighting conditions. Continuous shooting is also supported at up to 5 fps for photographing moving subjects. The sensor also facilitates an advanced Dual Pixel CMOS AF system, with 4779 selectable on-sensor phase-detection points for quickly and accurately acquiring focus during stills and video operation.
Complementing the sensor and processor, the RP also sports a 2.36m-dot OLED electronic viewfinder along with a rear 3.0″ 1.04m-dot vari-angle touchscreen LCD monitor for easier viewing from high and low angles. Additionally, Wi-Fi and Bluetooth allow for wireless remote camera control along with direct image sharing to linked mobile devices.
Canon RF Lens Mount
The EOS RP features the RF lens mount, which support Canon’s line of RF-mount lenses. This mount is characterized by its wide 54mm diameter and short 20mm flange-back distance, which promotes the ability to design lenses that are both faster and smaller than their SLR equivalents. The mount also incorporates a 12-pin electronic contact system for more sophisticated autofocus and image stabilization capabilities. This mount design also lends full compatibility to existing EF and EF-S-mount lenses via an optional EF-EOS R Mount Adapter.
26.2MP Full-Frame CMOS Sensor and DIGIC 8 Image Processor
A large 26.2MP full-frame CMOS sensor is featured and serves as an ideal balance between high-resolution output, low-light performance, and high-speed capabilities. When paired with the DIGIC 8 image processor, the EOS RP has a wide native sensitivity range from ISO 100-40000 for working in a variety of lighting conditions. Additionally, continuous shooting up to 5 fps is possible for working with moving subjects.
Dual Pixel CMOS AF
Dual Pixel CMOS AF offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face or Eye Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system’s ability to recognize subjects and maintain focus when working within changing or cluttered scenery. Additionally, the focus system is sensitive down to EV -5 for working in truly low-light conditions with accurate AF capabilities.
UHD 4K Video Recording
Designed for multimedia image-maker, the EOS RP supports UHD 4K (3840 x 2160) resolution recording at up to 23.98 fps at 120 Mb/s, along with Full HD 1080p and HD 720p at 60 fps for slow motion playback. When recording in-camera, 4K video has 4:2:0 sampling and 8-bit color depth, and 4:2:2 8-bit output is possible when using an external recorder.
Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack.
Also, 5-axis Dual Sensing IS can be used when recording video to electronically reduce the appearance of camera shake for sharper, smoother recording.
Body Design
Integrated 2.36m-dot OLED electronic viewfinder affords a bright and clear means for eye-level viewing.
Rear 3.0″ 1.04m-dot LCD features a vari-angle design for easier use when working from high, low, and front-facing angles. It is also a touchscreen for intuitive control over shooting, playback, and menu navigation controls.
Built-in Wi-Fi and Bluetooth connectivity enable wireless sharing, control, and image transfer with a compatible smart device via the Canon Camera Connect app, which also supports geotagging your files using your mobile device’s location data.
In-camera charging over USB is supported for easier on-the-go charging.
There are no reviews yet.