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Zoom F6 Multitrack Field Recorder

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  • Location Recording & Production Sound
  • 32-Bit Float Recording Avoids Clipping
  • 6 x High-Gain, Low-Noise Mic Preamps
  • Records 6 Inputs & Stereo Mix
  • Ambisonics, WAV & MP3 Formats
  • Supports Control via App or FRC-8
  • Flexible Powering Options
  • SD Card / USB Interface Recording
  • AutoMix Software Reduces Mix Noise
  • Precision Timecode Reader/Generator

35,000 EGP

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Forget about digital clipping and focus on the shot with the Zoom F6, an ultra-compact, multitrack field recorder with 32-bit float technology for distortion-free dynamic range, and up to 14 tracks of simultaneous recording for professional and enthusiast applications on set and in the field. Slide it in a sound bag, sling it over your shoulder, or mount it to a camera; the F6 packs quantity and quality into a rugged frame that’s more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering (ENG).

From the large, informative color display and user-friendly controls to the flexible powering options and precision timecode functionality, the F6 is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F6 has the modes, resolutions, and media support to handle your crucial audio tasks. Plus, its operational versatility ensures that the F6 will always enhance your workflow, be it simple, complex, or always changing. You can feel confident using it as your main recorder, a USB audio interface for your dedicated computer rig, or a backup unit for added safety.

32-Bit Float Recording Avoids Digital Clipping
The F6 is designed to handle the reality of real-world dynamics. Since source levels can change unexpectedly, you need a system that can capture everything from pin-drop quiet to roaring loud without compromise or clipping. With 32-bit float resolution and dual-path A/D converters, the F6 delivers immense dynamic range to cover the audible spectrum with ease. Digital clipping is a thing of the past.
Configurable Recording Settings for Any Situation
The F6 boasts a slew of recording modes and resolutions to choose from—record all six inputs at a maximum resolution of 192 kHz in 24-bit linear or 32-bit float, or (thanks to Zoom’s dual-path A/D converters) record them simultaneously in at up to 96 kHz in 24-bit and 32-bit float while printing a stereo mix.
Versatile Multitrack Modes
Maximize portability by recording directly to an SD/SDHC/SDXC card (available separately) for up to 1TB of storage space. Select MP3 format if you’re only recording the stereo mix and really need extended time and minimal file size. Using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility, you can run the F6 in 6-track mode (six inputs recorded in 24-bit or 32-bit float), or 14-track mode (six inputs recorded in 24-bit and 32-bit float, plus a stereo mix). Or select Ambisonics mode to capture four channels of Ambisonics-compatible audio and have two channels to spare for traditional mics.
Audio Interface Functionality
Alternatively, use the F6 as a 6-in/4-out USB 2.0 audio interface at up to 24-bit / 96 kHz. Connect it to your computer, launch your preferred audio recording program, then enjoy the combination of the F6’s premium mic preamps and A/D converters, plus the familiarity and features of your favorite software. For safe, redundant recording at up to 48 kHz, it is possible to operate the F6 as an audio interface while recording to an SD card.
Ambisonics Support for VR, AR, and 360-Audio
The F6’s Ambisonics mode offers precision A-to-B decoding and balanced gain linking, enabling you to capture professional spatial audio for VR (Virtual Reality), AR (Augmented Reality), and more. Even while using the first four channels for Ambisonics recording, you can utilize channels 5-6 for other signals such as boom and lav mics. Download the free Zoom Ambisonics Player software to access user-friendly decoding and editing functions for your 360-audio.
Studio-Quality Performance for Discerning Professionals
The F6 can accommodate all manner of condenser microphones as well as balanced line-level signals via six locking Neutrik 3-pin XLR inputs. Six studio-quality microphone preamps boasting massive gain (up to 75 dB) and ultra-low noise (-127 dBu EIN) ensure that your sound sources will be amplified with sonic accuracy. Select mic/line-level per input, apply 24 or 48 VDC phantom power per input, adjust each input via a dedicated level knob, and handle hot signal levels (up to +4 dBu in mic mode, or up to +24 dBu in line mode).
Hybrid Limiters Prevent Overloading for 24-Bit Mode
In 24-bit recording mode, the F6 utilizes advanced look-ahead hybrid limiters to provide reliable protection against overloading the A/D converters. By adding a small delay of just one millisecond, the limiters are able to look-ahead at the input signal and anticipate clipping before it’s recorded.
Line and Headphone Outputs for Flexible Routing and Monitoring
To use the F6 as a field mixer, simply connect its 3.5mm stereo line output into your camera, DSLR, mixer, or secondary recorder. Your audio mix will be fed through the unbalanced line, ready to be recorded.

With a transparent and high-output 100mW headphone amplifier tied to a 3.5mm stereo output, the F6 provides clean, efficient monitoring of pre- or post-fader levels and alerts for battery and recording status.

Precision Timecode and Synchronization Features
Whether you keep the F6 powered on all day, or shut it down during breaks, rock-solid sync with video cameras, master timecode clocks, or additional audio recorders will be maintained. Accurate synchronization is made possible with the F6’s high-end timecode features. A 3.5mm TRS mini jack is dedicated for timecode I/O, and a Temperature Compensated Crystal Oscillator (TCXO) boasts super stable timecode accuracy to ±0.2 ppm. You can even jam sync the F6 when constant external timecode isn’t present.
Efficient Remote Control Options
If you need extensive external control, Zoom has you covered. For fast and fluid hands-on remote control, the Zoom F-Control (available separately) is ideal. It features smooth 60mm faders, plus tactile controls for trim, pan, arming tracks, transport operations, and more.

For convenient wireless remote control from an iOS mobile device, connect a Zoom BTA-1 Bluetooth adapter (available separately), then use the free F-Control app to quickly monitor and tweak levels, operate transport controls, add metadata, and more.

Power for Hours
To keep up with the pace of on-location production, the F6 offers several methods of powering. Operate it via four AA batteries or a Sony L-Series type battery (available separately), power it through a USB Type-C connection, or plug it into a wall outlet with the Zoom AD-17 AC adapter (available separately). With up to 16.5 hours of battery life (AA lithium batteries, 16-bit / 48 kHz, 2-channel recording to SD card), you can rely on the F6 hour after hour.
Multifunction USB Type-C Port for Power or Audio
A USB Type-C port on the F6 serves several functions. Use it to hook up a power source, or connect a computer for file backup or live audio streaming.
Highly Visible Display
Day or night, view vital information such as audio levels, recording time, battery status, and more on the 1.54″ full-color backlit LCD, which also offers a monochromatic mode. Transport controls and navigation buttons are presented nearby for sound bag-friendly, hassle-free operations.
Zoom AutoMix Software Reduces Ambient Noise
Let Zoom’s AutoMix function simplify your job. This smart software automatically adjusts the levels of your mix to reduce the amount of ambient sound, so you can focus on capturing a well-balanced mix. Since you turn AutoMix on/off for each channel, you have complete control over where you want AutoMix to work.
Ultra-Compact, Portable, and Durable
The rugged build quality and compact size make the F6 an excellent choice for location recording on set and in the field. It’s equally well suited for placement in an audio bag or a camera-mounted configuration. A camera-mount adapter is included.
Metadata for Simplified Post Production
Add metadata such as notes and track/scene names in BWF and iXML formats to easily catalog your files in preparation for loading them into your video or audio editing workstation. Make it a habit to make organization and collaboration in post-production easy.
SKU: 060521 Categories: ,

Zoom F6 Specs

Portable Recorder
Number of Tracks WAV:
8 (6 Inputs + Stereo Mix)
Maximum Sampling Rate 192 kHz / 32-Bit
Microphone None
Built-In Speaker No
Display Color LCD (Backlit)
Memory Card Support SD, SDHC, SDXC (Up to 1 TB)
Internal Storage None
Recording
Audio File Formats BWF, iXML, MP3, WAV
Sample Rates WAV:
44.1 / 47.952 / 48 / 48.048 / 88.2 / 96 / 192 kHz
Bit Depth 16 / 24 / 32-Bit
Bit Rates 128 to 320 kb/s
Signal Processing & FX Limiter
Timecode Support Yes
Frame Rates Supported 23.976 / 24 / 25 / 29.97 / 29.97 DF / 30 / 30 DF
Clock Accuracy ±0.2 ppm (Timecode)
Recording Time WAV 48 kHz/24-Bit:
57.69 Mins per GB (Stereo)
WAV 192 kHz/24-Bit:
14.41 Mins per GB (Stereo)
Connectivity
Analog I/O 6 x XLR 3-Pin Female Balanced Line/Mic Input (Lockable)
1 x 1/8″ / 3.5 mm TRS Female Unbalanced Line Output
1 x 1/8″ / 3.5 mm TRS Female Unbalanced Headphone Output
Digital I/O 1 x 1/8″ / 3.5 mm TRS Timecode In/Out
Phantom Power +24 / 48 V
Phantom Power Current ≤ 10 mA per Channel
System Connection 1 x USB-C (I/O, 2.0)
Gain/Trim Range Mic Inputs:
+12 to +75 dB
Line Inputs:
+8 dB to +55 dB
Max Input Level Mic Inputs:
+4 dBu
Line Inputs:
+24 dBu
Max Output Level Line Outputs:
+10 dBV
Headphone Output Power 100 mW per Channel into 32 Ohms
Dynamic Range Line Outputs:
95 dB
Headphone Outputs:
108 dB
Impedance Mic Inputs:
≥3 Kilohms
Line Inputs:
≥5 Kilohms
Line Outputs:
≤100 Ohms
Headphone Outputs:
≤15 Ohms
Timecode Input:
4.6 Kilohms
Timecode Output:
≤50 Ohms
EIN ≤-127 dBu (A-Weighted)
Power
Power Options Battery or AC/DC Power Adapter
Battery Type 4 x AA (Not Included)
1 x L Series (Not Included)
Approximate Battery Life WAV 48 kHz/16-Bit:
7.5 Hours (Alkaline, 2 Channels, Backlit Display, Phantom Off, with Headphones)
10.5 Hours (NiMH, 2 Channels, Backlit Display, Phantom Off, with Headphones)
16.5 Hours (Lithium, 2 Channels, Backlit Display, Phantom Off, with Headphones)
WAV 48 kHz/24-Bit:
5 Hours (Alkaline, All Channels, Backlit Display, Phantom Off, with Headphones)
7 Hours (NiMH, All Channels, Backlit Display, Phantom Off, with Headphones)
10.5 Hours (Lithium, All Channels, Backlit Display, Phantom Off, with Headphones)
WAV 192 kHz/24-Bit:
0.5 Hours (Alkaline, All Channels, Backlit Display, Phantom On, with Headphones)
1.5 Hours (NiMH, All Channels, Backlit Display, Phantom On, with Headphones)
3.5 Hours (Lithium, All Channels, Backlit Display, Phantom On, with Headphones)
AC/DC Power Adapter 5 VDC (Not Included)
Dimensions 3.9 x 2.5 x 4.7″ / 100 x 62.9 x 119.8 mm
Weight 1.2 lb / 530 g
Packaging Info
Package Weight 2.5 lb
Box Dimensions (LxWxH) 10 x 7.5 x 5″

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